ROCHELLE FEINSTEIN


Born in New York.  Lives and works in New York, NY.



EDUCATION


1978M.F.A. University of Minnesota, Minneapolis, MN

1975B.F.A. Pratt Institute, New York, NY


SOLO EXHIBITIONS


2011The Estate of Rochelle F., On Stellar Rays, New York, NY

2009I Made A Terrible Mistake, LAB Space/Art Production Fund, New York, NY

2008The Studio Show, David Reed Studio, New York, NY

New Work, Momenta Art, Brooklyn, NY

Rochelle Feinstein, The Suburban, Chicago, IL

2002Pictures., Ten in One Gallery, New York, NY

1996Men, Women, and Children, Max Protetch Gallery, New York, NY

The Wonderfuls, Jersey City Museum, New Jersey, NJ

Copycats, Bill Maynes Gallery, New York, NY

1995Paintings, Halsey Gallery, Charleston, North Carolina, NC

1994Paintings, Max Protetch Gallery, New York, NY

1993David Beitzel Gallery, New York, NY

1989Emily Sorkin Gallery, New York, NY

1987Emily Sorkin Gallery, New York, NY


SELECTED GROUP PROJECTS / EXHIBITIONS / SCREENINGS


2011Inti, On Stellar Rays, New York, NY

2010Desire, Blanton Museum of Art, Austin, TX

Parts and Labor, Soloway, Brooklyn, NY

2009Talk Dirty to Me, Larissa Goldston Gallery, New York, NY

2008      Video as Video: Rewind to Form, curated by Alicia Eler and Peregrine Honig, The

Swimming Pool Project Space, Chicago, IL

World’s Smallest Art Fair, Anna Kustera Gallery, New York, NY

2007  Aporia-Aporia, curated by the dB Foundation, LACE Gallery, Los Angeles, CA

Horizon, curated by David Humphrey, EFA Gallery, New York, NY

2006CMYK, Canada, New York, NY

Aporia, curated by the dB Foundation, EFA Gallery, New York, NY

E-Flux Video Library, Arthouse, Austin, TX

Guess Who’s Coming to Lunch?, curated by Dean Daderko, David Reed Studio,

New York, NY

Let’s Talk About…, Larissa Goldston Gallery, New York, NY

181st Annual of Contemporary American Art, National Academy Museum, New York,

NY

2005Techno-Sublime, CU Art Museum, Boulder, CO

Heavenly, or A Slice of White,  Bertha and Karl Leubsdorf Art Gallery, Hunter College,

New York, NY

2004A More Perfect Union, Max Fish, New York, NY

Spacemakers, Lothringer Dreizehn, Munich, Germany

Giverny, 5 years of artists, Salon 94, New York, NY

After Matisse/Picasso, P.S.1 Contemporary Art Center, Long Island City, NY

2003Table Top Sculpture/Jessica Stockholder, Gorney Bravin + Lee, New York, NY

2002Liste Art Fair, Basel, Switzerland

2001Camera Works, Marianne Boesky Gallery, New York, NY

All About Paint, Art Museum of University of Memphis, Memphis, TN

See You(2), curated by Sam Messer/Kiki Smith, Fredericks/Freiser, New York, NY

2000       Foundation for Contemporary Performance Arts Benefit, Matthew Marks Gallery, New

York, NY

The Living End, curated by Ingrid Shaffner, Boulder Museum of Contemporary Art,

Boulder, CO

Gesture and Contemporary Painting, Warren Robbins Gallery, University of Michigan,

Ann Arbor, MI

1999Negotiating Small Truths, Blanton Museum of Art, University of Texas at Austin, Austin, TX

Calendar 2000, Bard Center for Curatorial Studies Museum, Bard College, Annandale

on-Hudson, NY

Conversation, A.R.T. (Art Resources Transfer), New York, NY

Down to Earth, Marianne Boesky Gallery, New York, NY

1998From Here to Eternity, Max Protech Gallery, New York, NY

1997The Drawing File, Pierogi 2000 The Gasworks, London, UK

Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY

S.L.A.D., Apex Art, New York, NY

1996      Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, MO

Painting in an Expanded Field, Bennington College, Bennington, VT

1995     Re: FAB: Painting Abstracted, Fabricated and Revised, University Art Museum, USF,

Tampa, FL

Works on Paper/Faculty, Yale University, School of Art, New Haven, CT

Skew:  The Unruly Grid Gallery 400, University of Illinois at Chicago, IL

Cutting Up, Max Protech Gallery, New York, NY

Other Rooms, Ronald Feldman Gallery, New York, NY

Actual Painting, Periogi 2000, New York, NY

1994New Painting, Max Protetch Gallery, New York, NY

American Abstraction, A New Decade, Southern Alleghenies Museum of Art,

Loretto, PA

Redefining  the Pop Icon in the 90s, Pamela Auchincloss Gallery, New York, NY




SELECTED BIBLIOGRAPHY


2011“Rochelle Feinstein.”  The New Yorker (April 25, 2011)

“Rochelle Feinstein, The Estate of Rochelle F.”  Time Out New York (March 15, 2011)

[online]

Bui, Phong.  “Rochelle Feinstein with Phone Bui.”  The Brooklyn Rail (April 2011) [ill.]

Butler, Sharon L. “Abstract Painting: The New Casualists.”  The Brooklyn Rail (June

2011)

Fusaro, Joe.  “Teaching with Rochelle Feinstein.” Art: 21 Blog (April 20, 2011) [ill.]

[online]

Johnson, Ken. “Rochelle Feinstein.”  The New York Times (April 15, 2011)

Leiberman, Justin.  “Rochelle Feinstein.”  Bomb Magazine (Spring 2011) [ill.]

Zevitas, Steven.  “Coast to Coast, Abstraction Rules: Top Ten Painting Shows in the

U.S.”  The Huffington Post (April 6, 2011) [ill.] [online]

                          Feinstein,Rochelle.”At The Fights: American Writers on Boxing”, Bomb Magazine 116,

                                        (Summer 2011)


2010Shaw, Cameron. “Review, Rochelle Feinstein Remembers Michael Jackson.” Art in

America (July 6, 2010) [online]


2009Kley, Elizabeth.  “Review: Gotham Art & Theater/I Made A Terrible Mistake.” Artnet

(June 25, 2009) [ill.] [online]

MacKenzie, Duncan. “Bad At Sports.” Podcast: episode 192 (May 3, 2009)


2008Eler, Alicia.  “Review.” Time Out Chicago: The Suburban (February 21, 2008)

Moyer, Carrie.  “Essay, Modernist at the Disco.” Art in America (September 2008) [ill.]

“Review: Disco Balls Meet the Iraq War in Williamsburg.” Village Voice (February 12, 2008) [ill.]


2007“Artists on Artists/Pam Lins.” BOMB Magazine (Summer 2007)

Myers, Holly.  “Review.” Los Angeles Times (July 20, 2007)

Van Gelde, Hilde. “Essay: The Documenta. 12 Project and Beyond.” Aprior (June 2007)


2006“Review: Aporia.” TimeOut Magazine (April 20-26, 2006)


2005Gregg, Gail. “How to Talk to an Artist.” ArtNews Magazine (June 2005)

MacMillan, Kyle.  “Review.” Denver Post (February 10, 2005)

Marglin, Elizabeth. “Review.”  Daily Camera: Boulder, Colorado (February 4, 2005)

Mitchell, W.J.T. “Essay, ABSTRACTION AND INTIMACY.” What Do Pictures Want? The Lives and Loves of Images, University of Chicago Press (2005)


2002Kley, Elizabeth.  “Review.” ArtNews Magazine (Summer 2002)

“Art in Review.” The New York Times (April 5, 2002)


2001Elliot, Deborah. “Review.” The Commercial Appeal (June 24, 2001)

Hall, David. “Review.”  The Memphis Flyer (June 7, 2001)

“Photography Review.” The New York Times (July 6, 2001)


2000Betts, Kristie. “Review: The End is Here.” Boulder Weekly (September 2000)

Bless, Nancy.  “Review.” New Art Examiner (March 2000)

“Mob Rule: Roundtable Discussion on the Whitney Biennial 2000.” (May 2000)

“Review.” Art on Paper, Working Proof (December 2000)


1999Schade, Christopher. “Review.” Austin American Statesman (September 18, 1999)

“Essay: Art on Paper.” Artifacture  (December 1999)


1997Heartney, Eleanor.  “Review.” Art in America (April 1997)

Schwabsky, Barry. “Review.” Artforum (March 1997)

“Review: Working in Brooklyn.” Time Out New York (August 1, 1997)


1996Freedman, Matt. “Review.” Review (November 15, 1996)

Griffin, Tim. “Review.” Paper Magazine (January 1996)

Mendelson, John.  “Review.” Artnet Magazine (October 15, 1996)

Ramirez, Yasmin.  “Review.”  Artnet Magazine (December 6, 1996)

Schmerler, Sarah.  “Review.” Time Out New York (November 28, 1996)

Servetar, Stuart.  “Review.” New York Press (January 1996)

Smith, Roberta. “Review.” The New York Times (November 22, 1996)

“Artist Statement.” New Observations (Winter 1996)

“Review.” Print Collectors Newsletter (March 1996)

“The Wonderfuls at the Jersey City Museum.” The New York Times (September 29, 1996)


1994Knafo, Robert. "90's Pop at Auchincloss." Art & Auction (June 1994)


1993Ash, John. “Review.”  Artforum (November 1993)

Feinstein, Rochelle.   “The Question of Gender in Art: Artist's Statement.” Tema Celeste (Winter 1993) 

Hagen, Charles.  “Review.” The New York Times (April 1, 1993)

Tully, Judd. “Feature Interview.” Cover (September 1993)


1992Kley, Elizabeth.  “Review.” ARTS Magazine (Summer 1992)


1991Kaneda, Shirley. “Painting and Its Others. In the Realm of the Feminine.” Artforum

(Summer 1991)


1989Bohnen, Uli. “New York in Review.” Kunst Koln (Fall 1989)

Cyphers, Peggy. “Review.” Arts Magazine (Summer 1989)

Decter, Joshua. “New York in Review.” Arts Magazine (Summer 1989)


1988Handy, Ellen. “Review.” Arts Magazine (January 1988)

Pardee, Hearne.  “Review.” ArtNews (February 1988)

Westfall, Stephen.  “Review.” Art in America (March 1988)

“Natural Anti-Natural Painting.” Flash Art (January/February 1988)

“The Revenge of Capital: Barbara Kruger and the Fine Art of Selling.” Arts Magazine (December 1988)


1980Johnson, Ken. “Bus-Borne Prints: Mass Artistry in Motion, The Museum of Modern

Art.” New York Times (February 18, 1980)